From the Back Cover
Ramn mends furniture. Theodore paints. A devout Catholic, Ramn lives in Mexico City, not far from where he was born into poverty. Theodore, a rich German transplanted to a country where money buys some comfort but no peace, believes in nothing at all. You'd think the two had nothing in common. Except, of course, that both had slept with Lelia. The two were good friends, so neither minded sharing her affections. They did mind, however, when Lelia was found raped, murdered, and horribly mutilated.... read more
1 of 1 people found the following review helpful: Not Highsmith's best - but a good read, July 6, 2001 Reviewer: Jay Stevens from San Francisco, CA USA It seemed that Highsmith was interested in exploring the psychology of the two main characters -- Theodore and Ramon -- and their unlikely relationship. To do so, Highsmith packaged a murder mystery around the two. As a result, something is lost both in the mystery and the exploration of the characters. The two men are vastly different. Teo is a wealthy German, reserved, cool, an artist. Ramon is a poor Mexican workingman, fiery, tempramental, a devout Catholic, a furniture mender. And they happened to share the same woman, who has been brutally murdered. Told from Teo's point of view, the bulk of the book grapples with Teo's suspicion of Ramon as the killer and his efforts to understand his friend's mental state, which is, at best, somewhat shaky. They travel through Mexico together, trying to chase down suspects of the crime. But ultimately the book fails to deliver. It never attains the level of tension that Highsmith usually brings to her books with austere prose and the exploration into the psychology of brutally flawed protagonists. But, still, it's better than 95% of the mysteries out there. It's not a great place to start with Highsmith, but it's a interesting if not enthralling ride on the Patricia-train...