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Sherlock Holmes - The Hound of the Baskervilles - Sherlock Holmes DVD Movie
Amazon.com Of all the Sherlock Holmes tales written by Sir Arthur Conan Doyle, The Hound of the Baskervilles (one of the four novels) remains the best-known. Adding a dash of the supernatural to the Great Detective's adventures, it is certainly one of the most dramatic--and an obvious target for screen interpretation. Prior to Jeremy Brett's indelibly making the role his own to modern TV audiences, Ian Richardson made for a suitably incisive and enthusiastic Holmes in this enjoyable 1983 adaptation. The much-filmed tale finds Holmes and Watson drawn in to the mysterious curse afflicting the well-heeled Baskerville dynasty. Is a monster stalking the heir to the Baskerville fortune, or is the culprit a far from demonic force? As Holmes, Richardson is blessed with the avian features that, like Basil Rathbone's or Peter Cushing's, effectively capture Sidney Paget's original likeness. Though Holmes's more antisocial facets are dispensed with, Richardson is engaging in such a well-explored role, recalling the razor-sharp wit and intelligence of Rathbone. Attracting a distinguished British cast (Brian Blessed, Denholm Elliot, Martin Shaw) and decent production values (though with a few Hammer Horror moments), this will not disappoint fans of Victorian literature's finest detective, nor those in search of a classic, chilling thriller. --Danny Graydon Description Sherlock Holmes (Ian Richardson) faces a supernatural mystery when a distinguished but absent-minded doctor (Denholm Elliott) hires the legendary detective to investigate the murder of Sir Charles Baskerville. The doctor recounts the legend of Baskerville Hall, cursed for 350 years since Hugo Baskerville traded his soul to the devil. All Hugo's ancestors have met with unexplained deaths on the hall's moor. With Charles's heir, Sir Henry, due to arrive from America, Holmes sends Dr. Watson... Reader Reviews 9 of 10 people found the following review helpful: Excellent and Memorable, July 6, 2002 Reviewer: Daniel R. Darby from Simi Valley, CA United States This 1983 version of the Hound, with Ian Richardson as Sherlock Holmes, has rarely received the accolades it so richly deserves. While not the most faithful adaptation of the Conan Doyle classic, it is nevertheless sumptuously atmospheric. It features a truly menacing hound that more closely approximates the horror elicited by the novel's original than the veritable slew of disappointing hounds from several other film versions, the obvious exception being the equally terrifying Basil Rathbone hound. This TV movie's strengths stem from a variety of sources. First of all, Michael Lewis's engaging, memorable film score is exquisitely dynamic and resonates with excitement. Secondly, the production's choice of authentic Devonshire locales for outdoor filming, and effective use of sound stages to evoke the melancholy and dreary mystique of the moors at nighttime,imbues this stylish version with an appropriately gothic flavor. It stunningly depicts the eerie essence of the Grimpen Mire, replete with its miasma of swirling, amorphous ground mist, and compellingly involves the viewer in the visual ambience of its surroundings. The film's denouement, as Holmes pursues his villainous quarry through the mire's impenetrable sea of fog, is masterfully photographed and provides a highly dramatic and satisfying catharsis to an enjoyable film. This is not to discount the film's few shortcomings. Certainly Richardson's Holmes, invariably prone to overtly amiable behavior, deviates from the disconcerting arrogance and brooding demeanor so brilliantly and faithfully rendered by Peter Cushing and Jeremy Brett. This is not to negate Richardson's charismatic and magnetic presence, however, and he is a pleasure to watch. (Recently, he compellingly played Dr. Joseph Bell, the real-life inspiration for Sherlock Holmes, in an equally atmospheric mystery series broadcast on Public Television). However, his Holmes portrayal remains somewhat revisionist. Furthermore, Donald Churchill's slightly bumbling rendition of Dr. Watson is too much of a frustrating throwback to Nigel Bruce's comedic and dim-witted depiction of the much maligned-doctor in the classic Basil Rathbone films of the 1940s. As Watson's character, for once, takes center stage in the Hound, casting for this role is more imperatively crucial than for Holmes. Among the most convincing and enjoyable Watsons from productions past included the more cerebral Andre Morell from the 1959 Hammer film and the equally astute and somber Edward Hardwicke from the 1987 Jeremy Brett version. However, that said, this stylish production deserves unstinting praise for the masterful way in which it skillfully reproduces the macabre spirit of the classic novel.
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