Stone Quarry by S.J. Rozan

S.J. Rozan is the author of the Lydia Chin/Bill Smith Series, which has earned several major mystery awards.

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Stone Quarry by S.J. Rozan


Features

  • Mass Market Paperback: 336 pages ; Dimensions (in inches): 0.82 x 6.77 x 4.22
  • Publisher: St. Martin's Minotaur; (January 2001)
  • ISBN: 0312977034


    Amazon.com
    It's Bill Smith's turn to take center stage in this sixth entry in S.J. Rozan's memorable Lydia Chin/Bill Smith
    series of mysteries, and the tough and taciturn private eye really comes into his own. Smith has cloistered himself in his remote cabin in upstate New York, where he escapes from his private devils by fishing, hunting, and practicing Mozart and Bach on his piano, when he is sucked into two local crime cases.

    The first involves Tony Antonelli, the brother of a young man whom Smith once helped out of trouble. Tony finds the body of a murdered local hoodlum in the cellar of his roadhouse. His brother Jimmy suspiciously goes missing and becomes the leading suspect. The second case involves a reclusive older woman (who turns out to be a world-famous painter). She asks Bill to track down some of her early works, which had been stolen from her studio. There's also a very nasty sheriff who hates Smith, a moderately tolerant state trooper who grudgingly helps, a corrupt executive of a babyfood company and his sad, dangerous teenage daughter, plus a crew of smalltime crooks who give the lie to the myth of rural safety. Lydia doesn't get called in from the Big Apple until quite late, and when she arrives she attracts stares in the local 7-Eleven "as though she were a black-petalled orchid that had sprung up in the daisy patch. Back in the car, Lydia grinned, said, 'Not many Asians up here, huh?' 'Especially in black leather,'" Bill answers."

    The plot might have one or two tangles too many for its own good, but as usual Rozan proves herself to be one of the best descriptive writers in the genre, bringing to indelible life everything from a modern painter's latest work, to a depressed countryside where the last stone quarry is about to close down and grind away a few more dreams.

    Other books in this award-winning series: A Bitter Feast, Concourse, Mandarin Plaid, and No Colder Place. --Dick Adler --This text refers to an out of print or unavailable edition of this title.

    Book Description
    Bill Smith's country cabin in upstate New York is far from the city's savage streets--a retreat where a weary P.I. can play Mozart on his upright piano and let nature heal him. But when Eve Colgate, a local farmer and painter, asks him to find stolen items--six paintings which could reveal Eve's highly guarded thirty-year-old secret--he caves. When Smith's partner, Lydia Chin, comes in on the action, she brings along her cool courage and sharp mind. It's a simple case--until the runaway daughter of a hotshot politician and the murder of a local hood change the playing field. Now the stench of corruption fills this rural paradise, as Bill and Lydia scour through dangerous secrets and greedy corridors for the stone-cold truth...


    Reader Reviews
    0 of 2 people found the following review helpful: Wholly average, July 14, 2001 Reviewer: Christian Marcus Lyons from Boulder, Colorado By reading the hype written by a lot of my favorite authors of mysteries and thriller about S.J. Rozan's latest book, "Stone Quarry, I expected a lot from it. What I found though was somewhat entertaining, not at all informative, and wholly average. Bill Smith, private detective, and his on-again/off-again partner, Lydia Chin, are the stars of this current installment of an ongoing series. While vacationing in his deceased uncle's cabin in upstate New York, Smith becomes engaged in a what appears on the surface to be a simple burglary involving a reclusive artist who wants to remain anonymous but still recover some valuable paintings that were stolen from her. The situation devolves quickly into a fight to the death with local crooks who may-or-may-not have mob ties, along with some bought-off cops on the local force. While Rozan does an able job with telling this story, it follows a well-trodden path and ends in a place we've all been many times before. By the end of the story, I found myself being able to skip ahead without missing anything, which to me, says a lot about a book. While it appears that Rozan may have a huge following, she didn't gain a new one with me. --This text refers to an out of print or unavailable edition of this title

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