Red Harvest (Vintage Crime/Black Lizard) by Dashiell Hammett

A former Pinkerton Detective, Dashiell Hammett's gritty novels are classic hard-boiled detective stories.

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Red Harvest (Vintage Crime/Black Lizard) by Dashiell Hammett


Features

  • Paperback: 224 pages ; Dimensions (in inches): 0.65 x 8.01 x 5.22
  • Publisher: Vintage Books; Reprint edition (August 1992)
  • ISBN: 0679722610


    Reader Reviews
    3 of 3 people found the following review helpful: Vastly Underrated!, July 7, 2003 Reviewer: Tom Stamper from Orlando, FL USA This was the first novel featuring Hammett's short story character, The Continental Op, and it's well worth reading. The Op is sent from his home in San Francisco to Personville, Montana on the request of a client. The fact that Personville is pronounced posionville by its residents will tell you the kind of town he enters. The violence is so bad that the Op never actually sees his client alive, but he sticks around to avenge his death. The deep plot is as convoluted as any detective novel, but the basic plot of a man playing two sides against each other proved to be important in the history of film even more so than literature. The Op was the original Man With No Name. Sergio Leone's Spaghetti Western borrows both the stranger concept and the plot from Red Harvest. Though the credit is usually given to Akira Kurosawa for his film Yojimbo, both films actually borrow their essence from Hammett. It's not necessary to have seen either film to enjoy this story. Overshadowed by the classic Maltese Falcon, Red Harvest deserves more ink than it gets. It's here with Hammett that the noir detective novel was born. The romantic notion of a poor detective who would rather live up to his own standards of justice than take a big payoff is a very American outlook. I can only figure that such a character comes from the many assignments that Hammett got working for the Pinkerton detective agency and the many times that Hammett wasn't allowed to do the right thing. Our detective is so virtuous under the standards of his own ethics that you admire him even when he is creating a bloodbath. The most surprising thing is how well the whole book flows and quickly I read it. Hammett has a great way of leaving each chapter with enough questions that you want to immediately read the next one. He'll leave you with the conclusion of a boxing match and with a fighter that falls over with a knife in his back. How can you go to sleep on a chapter like that? Any fan of detective novels and film noir should do themselves the justice of reading all the Hammett they can get. Red Harvest is a good start to that goal.

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